Separati in Patria (Seperated within the same Country) by Giovanni Floris

Giovanni Floris, a journalist by trade, hosts one of the best weekly programs on Italian television. The format of Ballarò is just varied enough not to bore the viewer. The majority of the transmission is centered around five or six guests, made up mostly of politicians but also professors, business leaders, and journalists arguing with each other in typical Italian fashion. It is Floris' role to weave together the questions, responses and debates into something cohesive. He does a fine job. There are interludes in the arguing in the form of 5-10 minute investigative journalism pieces put together from various locations in Italy.

Seeing how Floris often has little occasion to state his own opinions, I was curious to read his recently published book on one of the most significant issues affecting Italy, the enormous economic differences between the north and south of the country. The subject is of personal interest to me for several reasons, one being that a large part of my undergraduate thesis was dedicated to the Southern Italy's economic difficulties. And like most things in Italy, it is not an easy matter to unwind due to the economic, sociological and historic factors all at play. The largest failure of Floris' book is that he touches on each of these fields but fails to sufficiently address any of them.

The first part of the book looks at the socioeconomic statistical differences between northern and central Italy compared to the South. For starters, removing Southern Italy, the GDP per capita of the country would be higher than Germany, UK, France or Spain. The vast majority of business leaders and politicians at the national level come from the North. Residents in the North read more books than those South and supposedly speak more Italian and less local dialect - though I missed any figures supporting this claim. It appeared to me that his main thesis was built on the belief that the differences between the regions of Italy are strictly economic and less cultural as many people are likely to believe.

One example which proved to be most interesting in supporting his central thesis was the favorable benefits five autonomous regions - regione a statuto speciale (Sicilia, Sardegna, Valle d'Aosta, Trentino-Alto Adige and Friuli-Venezia Giulia) received, i.e. money. While the island regions of Sicilia and Sardegna are part of the south, the remaining three are located in the north. These three regions receive more money from the state than they delve out in taxes. Other northern regions instead are left fitting the bill, receiving or spending much less than what they generate in tax revenues and seeing enormous amounts of capital flow south as well to these smaller, northern regions. It was not clear to me Floris' position on the matter. Certainly their are cultural idiosyncrasies in these special regions, for example the majority of residents in Trentino-Alto Adige speak German as their mother tongue. However, Italy in itself is made up of very local cultural entities. Is Floris claiming that these regions play up the cultural distinctiveness in order to protect the economic benefits they receive? Though the example was a fascinating one, I missed his message.

Another point Floris touches on, though briefly, is that the northern regions are in a geographically favorable position as they are much closer to other, rich, European markets. Though Floris did not mention it, it is important to see how on the other hand many parts of Southern Italy are closer in distance to countries such as Croatia, Tunisia, Albania, and Libya - not exactly enormous consumers of foreign goods and services - than they are to Milan.

What was lacking was a discussion on more of the geographic and climatic aspects present that greatly favor the north. If only Floris had seen my thesis paper! The land in the north is much more fertile compared to the south. Anyone who has seen The Passion of Christ (filmed in Matera) or remembers the scenes of a young Al Pacino in The Godfather walking through the arid country side, can recognize it to be a difficult place to grow stuff. Also, it is simply more difficult to work in hot weather.

These points are not meant to serve as excuses for southern Italy's inability to improve its condition. All indicators for me see the situation deteriorating. The infrastructure is far below average European levels. Investing in the region is risky (and costly) which makes the decision to put a new factory in Croatia as opposed to Puglia a more sensible decision. This same argument also loosely applies to tourism, an area which should be one of the foundations of the the southern Italian economy. However, without a clearly defined strategy for this industry most parts of the south are left in a dangerous middle position. Unable to compete on cost with other sunny destinations such as Egypt or Turkey and lacking the infrastructure to support a more high class type of tourist, an area with incredible food, beaches and people sees the majority of tourism from other European countries go elsewhere.

As the length of this post continues to grow, it becomes apparent the difficulty an author has when writing about such a broad subject. Focus too much on one field and you find yourself in a silo ignoring other equally important factors. Attempt to touch on all of them and leave the reader with more questions than answers as interesting arguments are raised only to be quickly hurried through to get at the long list yet to be addressed. Floris chose the second approach and was not successful in putting together a well-structured and well-argued book.

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Couples by John Updike

The characters in Couples sure do drink a lot - cocktails, often gin based. Though gin came from the UK, I consider it to be the red, white and blue of spirits. Even though the main focus of this wonderful novel centered on adultery, I was more intrigued by the role alcohol played in American life from post World War II up until today.

I have the impression so much of the dionystic fury during the booming post-war decades was fueled by booze: the 5 pm cocktail on the porch, the late summer neighborhood BBQ kicked off with martinis , or the boat drinks while idling on some vessel in the harbor. The cocktail in se represents this period of iconic bliss which is not as prevalent now as it was before. Though the consumptions of spirits is certainly something better done without, I do see a small reflection of our society in the splinters of ice floating atop of stub glass.

Couples was written in 1968, long before I was even born. Yet, it still brought back memories of my own childhood spent in the late summer months on the East Coast.

The story is based on a series of families living in a small community south of Boston. These young, educated couples spend incredible amounts of time entertaining each other with dinner, drinking, and pick-up basketball games that then lead into beers then dinner and more drinking. The stresses of long commutes, grueling travel schedules, or duel working parents, did not seem to be too relevant in these carefree times. Instead, the majority of the characters mental resources were dedicated to plotting their next extramarital affair. The detail and description of these sexual encounters is risque at times, hilarious at others.

The setting in the small town above the long beaches of the Atlantic accompanied my own sand filled vacation very nicely.

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Cathedral by Raymond Carver

The stories in Cathedral are longer compared to those in the previous two collections. I am not the first to say it, but after having read through a series of Carver's works, one can see the development he made as a writer. There were many Carver readers who saw signs in Cathedral of something larger than a short story ready to come out if we had not lost this great American writer at such an early age.

After having read through several dozen stories, I was eager to settle down with a more substantial piece of literature. John Updike's Couples proved to be exactly the type of novel which I was in need of.

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The Partnership - The Making of Goldman Sachs by Charles D. Ellis

There are two facets of our global economy which have an enormous impact on all levels of society - financial markets and oil. Both of these industries have experienced massive growth over the last half century that their impact has already played a role in shaping modern history. It is therefore important that I feel comfortable with my own understanding of these subjects even though it can be a tough go at times to read such material. There are plenty of other books I would prefer to be leisurely enjoying on my freetime.

The Partnership is a book about the history of Goldman Sachs - arguably the most successful investment bank in the market. Its rise from a modest American bank into a global superpower of finance is one of the greatest expressions of US-styled capitalism ever witnessed. It will forever make up a part of business history. Even more, several of its CEOs and partners have gone onto important public positions, thus meaning that GS' reach has effects on the political sphere as well.

Even in this time of resentment towards investment banks, there are certain positive traits that Goldman Sachs deserves to be commended for. Its belief in meritocracy, team results, and absence of politicking is commendable. There are lessons to be learned for any business manager in areas such as goal setting for employees, recruiting and running effective meetings.

To fully appreciate the book does require a certain level of financial understanding. I have a basic understanding of the subject and at times struggled to grasp certain concepts being discussed. This leads to another point: what level of understanding is required before you are justifiably allowed to bash the banking sector? Certainly there are plenty (millions) of people who, after having read a handful of articles on the industry since the crisis came into full swing, feel their insights are worthy of getting them on the short list for the Nobel Prize in economics.

I have read several books on the industry, taken a few courses and follow financial papers with regularity and I still do not feel adequate discussing the topic. However, I will make a small observation regarding The Partnership, which was published in 2008 before the crack of Lehman Brothers. Would Ellis have written this book in such a glowing light if he were publishing it in 2009? His praise for the firm rings much more hollow now after seeing how the events in finance have unfolded. Throughout the book he painted a picture of an institution that had made next to no mistakes. The last chapter was written just when first signs of the sub-prime crisis was emerging and he made it look as if Goldman Sachs had if anything profited from the situation. We now know this not to be true.

Goldman Sachs had to convert itself to a holding company so it could gain eligibility to the Federal Reserves emergency lending facilities. Yes, Goldman Sachs has already paid back the US government for lending it received but it did need government assistance to stave off collapse. Adding these points to an additional chapter would have not been enough for this book. It would really require a complete reexamination of the superior, worshiping tone that permeates throughout every page.

Goodbye Germany! For the next few weeks I will be heading to the sunny shores of Italy. In terms of the upcoming summer reads that will be making the journey with me are Bellow"s "Herzog" and Updike's "Couples". I look forward to writing about them when I am back.

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What we Talk About When we Talk about Love by Raymond Carver

This post is really a continuation of my previous one on Raymond Carver

I have not read many short stories in my time. After now having completed the second collection by Carver I am beginning to appreciate the skill involved in delivering messages about the characters using very little text. A full length novel has the luxury of being able to develop characters over time, and often still does not succeed. How do you, therefore, accomplish it in seven pages? Perhaps "developing" the character is not even the right term. How do you give glimpses of insight into the characters that allow you to, even momentarily, understand them? I am finding Carver's writing to rely on the logical thinking of his readers. Each sentence has a purpose in his writing and he leaves it up to us to determine their significance based on our own interpretation.

There are two stories that stayed with me the most. The first one is titled "Viewfinder". It is about a man with no hands who takes photographs of peoples houses and then sells them to the owners. He visits one house where the owner offers him coffee not necessarily because of his hospitable nature but instead due to a nagging curiosity to see how a man with two hooks for hands would hold the cup.

The second has the same title as the book itself. It is essentially a discussion between two couples about love. Their openness to elaborate on the more intimate aspects of their relationships is greatly aided by two bottles of gin. The conversation is good, honest and disturbing.

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Will you Please be Quiet, Please? by Raymond Carver

I do not exactly recall how I first came across Slavoj Zizek. I believe it was in my search for contemporary philosophers who discuss the events of modern society at a deeper level than journalism is able to do. A few online pieces of his work proved to be rather interesting, especially his fascination in film and the underlying messages it often conveys. So, I was happy to see an interview with him in the Financial Times a few months after my initial introduction. The interview jumps from the financial crisis to Marxism and even includes a brief anecdote on the movie, Titanic. However, it was one reference he made to the film, Short Cuts that caught my attention. He claimed it be a Hollywood film which deserves to be called "art" compared to many "fake" European films. This stuck with me namely because I remember as an early teen looking at the VHS case of Short Cuts at my local Blockbuster. It was a blue case with little cut outs of all the different actors in the movie. I never did rent it, most likely opting for True Lies instead.

Nearly 15 years after having first seen it dawning the wall of the New Release section at Blockbuster, I finally sat down to watch Short Cuts. It did not disappoint. As an American living abroad now for several years, I am becoming more and more curious about my native country. I find myself constantly in search of those cultural works which best describe the true essence of the U.S. This serves two purposes. The first is that it allows me to have a portfolio of recommendations for those individuals who actually show a curiosity in better understanding the U.S. and its people beyond the stereotypes often conveyed by our own pop culture. I have not come across many interested takers yet but I am ready when it does happen. The second is simply because I relate to these albums, books, or films more now than when I am living in America. I appreciate them more, mainly due to nostalgia. Returning to Short Cuts it depicts the real life of normal people living in the more mundane neighborhoods of Los Angeles and confronts the difficulties they face in their day-to-day lives.

The film was based on the short stories of Raymond Carver. The director, Robert Altman, took a dozen of Carver's stories and weaved them together. The Criterion Collection of this film included a documentary on Carver. Thus my introduction to Carver began here with the first scene being of his widow reading one of his poems above his gravestone in Port Angeles. I only discovered he was buried there after the fact. However, I only needed to see the evergreens in the background running up to the cliffs edge above a large body of water to know that she was in the Pacific Northwest. Such an interesting string of connections served as the sign to me that the author's works deserved reading.

Will you Please be Quiet, Please? is Carver's first collection of short stories. He lived his entire life on the West Coast and this comes through in the stories. I found myself relating with his words. I have two more collections of his short stories to read and will describe in my future posts those that I enjoyed the most. In the meantime, go and rent Short Cuts. It is certainly no longer in the New Release section of Blockbuster, especially the one on N.E. 8th in Bellevue which closed down two years ago. Actually, the action "go and rent" isn't really valid any more either. It can be substituted with "go to 'Your Favorites' folder on your browser, left click, Search on Netflix 'Short Cuts', left click three times".

15 years is a long time.

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